‘Polytope, Choreographic Object’  at FILE Festival, São Paulo, Brazil –  3 July – 13 August 2018

Artist in Residence – 100 years WUR – Wageningen University, Netherlands – August-September 2018

Workshop Healing Places, Rotterdam, September 2018

Set design for dance piece by Marina Mascarell – Gothenburg Operans, Sweden – Premiere on March 15th, 2019


More recent:

‘Politics of Affect’ performance at ‘Do Not Disturb’, Quartair, The Hague – 9-25 March 2018

‘Paper Reliefs’  series for ‘Paperworks’ exhibition at Corrosia Theater Expo & Film, Feb 17 – May 26, 2018 Almere, Netherlands

Contact, Sensory Intervention for Museum M van Leuven – January 24-31, 2018, Leuven, Belgium

Performance, Bodies, Objects’ , November, 2017 – January, 2018 at TETEM, Enschede

‘Performance, Bodies, Objects’ , September 15th – October 7th at Quartair, The Hague

Kinesthetic Lab – Playing as Learning Process – Workshop, August 28th, KABK intro week, The Hague

Artist in Residence: CLOUD/Danslab, The Hague – from 25th May to 1st June (with Natela Lemondzhava, Ingrid Lee, Nico Urban, Natali Blugerman and Ludic Collective)

The Body of The Audience – Workshop on Corporeal Discourse, Interior Architecture department, ArtEZ, Zwolle – 10 May 2017

Polytope – Exhibition ‘Higher by Spinning’ in Charlama Gallery, Sarajevo, Bosnia & Herzegovina – 8-11 February 2017; Performance at Hoogtij, Quartair, The Hague – March 10th, 2017

Three Times Rebel – Stage Design for choreographer Marina Mascarell/Korzo Productions
Premiered on January 27th 2017 – Tour through the Netherlands, Germany, Taiwan, Italy, Greece, Spain.


The Grotto – Modern Body Festival – The Hague, Nov-December 2016

Agent-Based Choreographic Tactics – Workshop with Satoru Sugihara
I/We/They – Modern Body Festival – The Hague, November-December 2016

Polytope at Cinekid, Amsterdam, 16-17 October 2016

Body Maze – Workshop at Space Media Festival – Taipei, Taiwan, August 2016

New Dream New Future – exhibition at Schema Art Museum – Cheongju, South Korea, July 2016

Polytope at Playful Arts Sessions – Bodies at Play – Den Bosch, Netherlands, June 3rd 2016

Fluid Dynamics, installation/site specific FAUNA#2, Hoop (The Hague, March 11th).


Polytope‘, performed along Sonolab duo, at No Patent Pending #17 (The Hague, December 8th)

Propulsion, performance, multidisciplinary improvisation session along Wen Chin Fu, Dodó Kis and Matteo Marangoni at Oorsprong Curator Series, Toolhuistuin (Amsterdam, February 2015)


K24, Room for sensorial cleansing – site specific/participatory installation – with Mike Rijnierse – A Modern Body Festival (The Hague, October 17th)

Propulsions, a mobile environment, participatory performance, created for Parksessies Festival (Haarlem, July-August)

Selfie-Reflection, a game-situation for 17 participants in the public space (Lana, Italy, May)

Room for Movement, site specific for the Winter Anti Depression Show, MARRES (Maastricht, January-March)


Flexor, installation and performance (2013)
Flexor I: Spheres: Artscience Preview (Korzo Theater, The Hague, May)
Flexor II: KABK Graduation Show (Royal Academy of Art, KABK, The Hague, July).


Approximation – Performance and installation, shown at KABK, Stroom Den Haag (2012), TodaysArt (2013) and Rijksmuseum: ‘The Deepest Sense’ Symposium, Amsterdam (June 2014)

Recursive Garden – A speculative performance on human beings as vegetable systems, for the efficient future of the species. A collaboration started with Daniel Berio (during GrowWorld, Artscience research group, March-April)



Meiosis (2011)
Eight people perform a sequence inspired by cellular reproduction and walk throughout a public space. Shown in the KABK, june 2011.
Performed by: Gala Tellechea Velez, Gaby Felten, Clara Lozano, Moritz Geremus, Charlotte ‘t Hart, Marloes van Son, John Fanning and Silvia Janosková




Light-space-sound performance-installation performed at Z-Zondag (Villa Ockenburg) and Studio Loos, The Hague. In collaboration with Mike Rijnierse, Marijke van Gorp and Nenad Popov


Cauim Experience (2010)

Reenactment of a native Brazilian tradition in which women prepare the ‘cauim’ (alcoholic beverage made with the cassava root, after it’s chewed by the women of the tribe and fermentated by the collective saliva). The ceremony-experiment held at the TactileLab/Artscience was introduced by a short lecture on the Cassava culture in Brazilian culinary.




Public Matter (2010)

Choreography for 50 people (permutations of walking, talking over the phone and standing still)
The audience is sitting in the center of the room.
Performed at KABK, june 2010.

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